Megan: At first that’s exactly what I did. Megan, did you even look at Carla’s performance or did you put that to one side and just start with what’s on the page? We really get into her character and why she is who she is and her understanding herself. This year we really do see a different side of Marina. She just was Marina and added her own style to it. Yasmin: I was thinking at the beginning of filming I would hate to be Meg right now! When you take over a character you must be really nervous, but Meg did it in a way that you could tell she didn’t overanalyse the Marina before. It was exciting to watch her mould the character into something new and put her own stamp on it! She took on the role and made it her own while remaining true to the character the audience met last series. Ryan: I had heard that there was a new girl playing Marina, but I didn’t meet Megan until roughly two weeks in, when we shot a scene together and, obviously, she was great. What’s it been like having a new Marina with Megan taking over from Carla Woodcock this series? Ryan: I remember walking around the school and constantly getting lost - it’s so big! But I can’t remember anyone showing me around specifically other than places like my dressing room and makeup room. Yasmin: I did get her coffee because me and Meg are really, really bad in the morning at waking up. Megan: You got me coffee as well, which was far better. I was good at chatting about how the last series was but physically going around the building I’m really bad at that. By then Megan was like, ‘No Yasmin, that’s the wrong way.’ I am actually the worst for directions. Yasmin: I was meant to be that person to take Megan round but it took me two weeks. Woodcock is repped by Echo Lake Entertainment and Independent Talent in the UK and Kerr is repped by David Rosario at ROAR Management and Lindsay Kutner at Revolution Talent.As Ackley Bridge old hands did you give Megan a guided tour on her first day of filming? Christopher Read will compose the music, along with Mason, and also serves as executive producer. Mason executive produces with Robinson, who will direct, along with The Greatest Showman director Michael Gracey, Hat Trick Productions boss Jimmy Mulville and Fremantle. His smile and sex appeal open doors, but his real superpower is his intuition.ĪBC Signature is producing the pilot in association with American Gods and The Mosquito Coast producer Fremantle and Hat Trick Productions, the British production company behind series such as Showtime’s Episodes and Anna Paquin’s Flack. As Piet enters this glittering world, he learns its secrets and finds his life transformed.Ĭonstance is the most magnetic girl in Amsterdam undisputed queen of the city’s gilded youth, while Piet, tutor to a very troubled child, is an extreme empath, with the confidence to back himself against the odds. When his mother dies, Piet applies for a job as tutor to the troubled son of Europe’s leading hotelier – a child who refuses to leave his family’s mansion on one of Amsterdam’s grandest canals. The book, which was published in 2012 by Penguin Random House, follows Piet Barol, who has an instinctive appreciation for pleasure and a gift for finding it. Written and executive produced by Mason, History of a Pleasure Seeker is a musical drama set in Amsterdam in 1907 - a tale of a charismatic young man’s explosive adventures through all the temptations of the Belle Époque. Woodcock, who starred in Netflix series Free Rein and is set to star in ITV drama Tell Me Everything, will play Constance and Kerr, who stars in Fox drama Monarch and starred in Hulu’s Four Weddings and a Funeral, will play Piet. The pair are set as the leads in the one-hour musical drama pilot, which is based on Richard Mason’s novel and will be directed by Bridgerton director Julie Anne Robinson.
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